A young man interviews former child-actor Rodrigo Escher, only to be drawn into his idol's nightmarish web of diabolical secrets and sexual perversions.

Laurie, a cynical schoolgirl, builds a secret friendship with Pete, an older handyman who is obsessed with her.

Young writer sells a soap-opera script to a TV network and manages to place his girlfriend in an important role.

The story of the Mendel family, owners of the working class Sydney Hotel the Dundee Palace, seen through the eyes of writer Tom Raynor who lives in the hotel.

John Hofsess’s The Palace of Pleasure emerged from the psychedelic haze of 1960s postmodern art. It was a blistering work that combined arresting abstract imagery with the wounded expressions of a young couple, edited into a collage of mass culture imagery and album and book jackets, all of it framed as a therapeutic treatment. Addressed to a generation coming up in an era of protest and social change, where many found themselves increasingly burdened with hopelessness, paranoia, and neurosis, The Palace of Pleasure was offered as a cleansing ritual, a post-Freudian expelling of dammed-up energies that anticipated The Primal Scream. In this video, Stephen Broomer discusses Hofsess’s therapeutic ambitions, how the film was composed of Hofsess’s earlier films, and the sensual spell of the work, the way in which it commands us to enter into a universal fellowship of touch that circulates, from us to us, through us, to strain the boundaries between the self and the other.

Countries appear and disappear— we could have just been one of them. Caught between visibility and obscurity, Kosovo’s underground music scene is the voice of a post-war generation grappling with isolation in a half-recognized nation.

An ageing artist in the twilight of his career, Fermín's hand has started to shake. On the brink of financial ruin, he will have to move into the studio he shares with his friend Javier de Juan in an old garage, to which his son Pablo, also a painter, arrives on his return from a long trip to India, intending to stay with him. Their widely differing approaches to art and life will soon spark arguments between the two. Pepa, Pablo's mother and Fermín's ex, makes a suggestion: that they enter a competition to create their own version of El Bosco's The Garden of Earthly Delights, which could solve their financial problems.

Hieronymus Bosch’s triptych The Garden of Earthly Delights is transformed into an exuberant, abstract, experimental film. Everything creeps and flies; from each form, a new one crawls out; it’s all here, from creation to hell. A movie garden full of colors, audiovisual signals, and electric delights.

Marta Dekasová works as a governess in a garrison town. The beautiful girl is the center of attention of many men, but she only desires Lieutenant Varga, who is married and rejects her. Desperate, Marta throws herself into the arms of the most intrusive of her suitors, and is then dismissed in disgrace. She goes to Prague to live with her friend Kiki, becomes a bar singer, and continues her journey down the sloping surface. Hope for a new life dawns on her when a young student falls in love with her, but just then Varga appears in the bar and rekindles her unquenched feelings...

安妮·戴尔（Annie Dyer）搬进了一套新公寓，很快她就发现自己并非独居；一个邪恶的幽灵反复试图引诱她，企图占据她的身体，以此作为载体来完成它的复仇使命。